JOSCELYN GARDNER

Born Barbados. Lives and works Canada

2001-03        MFA, The University of Western Ontario, London, Ontario

1980-85        BA (Film), BFA (Printmaking), Queen’s University, Kingston, Ontario



SOLO EXHIBITIONS   

2016     Joscelyn Gardner: unfolding a West Indian paper theatrical, Anna Leonowens Gallery,
              NSCAD University, Halifax, Nova Scotia, Canada

2016     Staging Mary Prince; in her own wordscurated by Sophie Cressal, Bermuda National Gallery,
              Hamilton, Bermuda

2014     bringing down the flowers…”, Alberta Printmakers’ Artist Proof Gallery, Calgary, Alberta,
              Canada

2012      Joscelyn Gardner: Bleeding and Breeding, Station Gallery, Whitby, Ontario, Canada*

2011       Joscelyn Gardner: tending to an “unspeakable” past.., Galeria Adhoc, Vigo, Spain

2009     Missionary Position, SNAP Gallery, Edmonton, Alberta, Canada

2005     White Skin, Black Kin, InterAmericas Space, CCA7, Trinidad

2005     Braided Narratives, Open Studio, Toronto, Ontario, Canada

2005     Peau Blanche, Parente Noire, Galerie ARSENEC, CMAC a l’Atrium, Fort de France, Martinique*

2004     Joscelyn Gardner: Of Braids and Bonds, Chelsea Galleria, Miami, Florida, USA.         

2004     Creole Portraits, Zemicon Gallery, Barbados

2004     White Skin, Black Kin: “Speaking the Unspeakable”, Barbados Museum, Barbados*

2003     White Skin, Black Kin: A Creole Conversation Piece, McIntosh Gallery, London, Ontario

1996      Virtual Omphalos, 23rd International Biennial of Sao Paulo,Sao Paulo, Brazil*

1994      Spirit of Woman: Eye to the Soul, The Barbados Museum Gallery, Barbados

1986      Line and Colour: Genesis, The Barbados Museum Gallery, Barbados



GROUP EXHIBITIONS

2019      What plants can tell, Stewart-Hall Gallery, Pointe-Claire, Quebec

2019      Botanic Fictions - On the Political Narrative of Plants, Goethe-Institute Athens, Athens, Greece

2019      Actually, the Dead Are Not Dead, Hordaland Kunstsenter, Bergen Triennial, Bergen, Norway

2019      Flora: Between Plants and People, Stavanger Art Museum, Stavanger, Norway*

2018      The Living River Project: Art, Water and Possible Worlds, Art Gallery of Windsor, Windsor ON

2018       Poeticas de la Costa, Miami New Art Festival, Aruba Art Fair, San Nicholas, Aruba

2018      Bodies Under Pressure (7 artists), Kimura Gallery, University of Alaska Anchorage, Alaska, USA

2017       II Bienal del Sur, Pueblos en Resistencia, Museo de Bellas Artes, Caracas y Zona
                Bienal Parque Los Caobos hasta el Museo de Arquitectura, Caracas, Venezuela

2017        A New Region of the World, Bunkier Sztuki Contemporary Art Gallery, Krakow, Poland

2017        We Have Met Before (4 artists), National Gallery of Jamaica, Kingston, Jamaica*

2017         History + Infinity: A Caribbean Masters Exhibition (CARIFESTA XIII), Grande Salle, Barbados*

2017        Cosmopolis Biennial, Centre Pompidou – National Museum of Modern Art, Paris, France

2017        Contour Biennale 8 Polyphonic Worlds: Justice as Medium, Mechelen, Belgium

2016        Turning Tides, curated by Johanna Auguiac and Tumelo Mosaka, Memorial ACTe,
                 Caribbean Centre for Expressions and Memory of the Slave Trade and Slavery, Pointe-a-Pitre,
                 Guadeloupe *

2016        Beyond the Norm: International Juried Print Exhibition, University Galleries, Illinois State University, USA

2016        International Print Alliance Exhibition 2016, Canada submission curated by Mark Bovey,
                 Taimiao Art Gallery, Beijing Working People’s Cultural Palace, Beijing, China. Touring to Nanjing
                 Jinling Art Museum, Tianjin Art Museum, Shijiazhuang Art Museum, and Shenzhen Guanian
                 Original Printmaking Museum in 2017

2016        Botany Under Influence, APEXART NY, NY, USA

2015        Statements,SNAP 3, 3rd Int. Printmaking Symposium, Kloster Bentlage, Rheine, Germany*

                 Corporalidades, Fundación Casa Cortés, Old San Juan, Puerto Rico*

                 Resonance - Canadian Printmaking Shengzhi Art Centre,Beijing, China *

2014         Prospects of Empire: Slavery and Ecology in Eighteenth-century Atlantic Britain,The Lewis Walpole Library Gallery,                          Yale University, New Haven, CT, USA *

                  Nuit Blanche London, 402 King St., London, ON

                    FLOW: Economies of the Look and Creativity in Contemporary Art from the Caribbean, IDB Cultural Center,                                          Washington DC, USA

                  Caribbean Crossroads of the World, Perez Art Museum Miami, Miami, FL, USA

                  After the Flood, Transforming Spaces (TS2014), Liquid Courage Gallery, Nassau, Bahamas

2013         Boston Printmakers 2013 North American Print Biennial, Art Institute of Boston, Boston, MA, USA

                  Caribbean Cream: On the Verge, BrutEdge, Mana Contemporary, New Jersey, US  

                  Critical Mass shown at SGCI Conference PRINT:MKE, Milwaukee, Wisconsin, USA; Triennial University of                                 Applied Arts Vienna, Vienna, Austria; Little Gallery, University of Calgary, AB; Estampa Print Fair, Madrid; 150                      Cicles International Project, Fundacion ace, Buenos Aires; Fundacion CIEC, Centro Internacional de la                                  Estampa Contemporanea, Betanzos; Little Art Parlour Gallery, Novi Sadl, Serbia; GaleRica in Makarska,                                Croatia

2013         VOLTA NY 2013, International Art Fair, ARC Special Project New York, USA

2012         New Prints 2012/Autumn, International Print Center New York, New York, USA;

                  Visual Arts Center of the University of Texas, Austin, Texas, USA (2013)

2012         22 Maximo Ramos International Biennial Award for Graphic Arts, Centro Torrente Ballester, Ferrol, Spain *

                  Who More Sci-fi Than Us? Contemporary Art from the Caribbean, Kunsthal KAdE, Amersfoort, The    Netherlands *

                    Global Caribbean, Fondacion Clemente, Martinique

                  Canada Pavilion, 3rd Qijiang International Print Festival, Printmaking Artist Village, Qijiang, China

2011          About Change, The World Bank Group, Washington, DC, USA *

                  China Invitation Exhibition of Prints, China Print Festival, Southwestern Academy of Fine Arts 
                  Museum, Chongqing, China

                 Signos Vitales: Nuevas Adquisiciones del MAC 2009-2011, Museo de Arte Contemporaneo  
                 (MAC) de Puerto Rico, Puerto Rico

                 Unconventional Meets Traditional, Art Toronto 2011, Metro Toronto, Convention Centre, Toronto

                 9th Biennial Exhibition, A.I.R. Gallery, Brooklyn, NY, USA

                 La Biennale Internationale d’estampe contemporaine de Trois-Rivieres, Quebec, Canada

                  Global Caribbean, Museo de Arte Contemporaneo (MAC) de Puerto Rico, Puerto Rico*

                Canadian Impressions, IDB Cultural Center, Washington DC, USA         

                Wrestling with the Image: Caribbean Interventions, Art Museum of the Americas, Washington DC*

                Femme en mythologie(s), mythologie de femme(s): l’exposition d’art contemporain, Musee
                du Montparnasse, Paris, France

2010       1st International Triennial of the Caribbean in Santo Domingo (TRIC 2010), Museo de Arte
                Moderno, Santo Domingo, Dominican Republic

                XXXI Bienal Pontevedra - Utrópicos: Centroamérica y Caribe, “El aguacero, la siesta, el
                canaveral, el tabaco”, Pontevedra, Spain*

                fragmentos de memoria y deseo Museo de TEOR/eTica, Costa Rica

                Global Caraibes, Musee International des Arts Modestes,Sete, France*

                  Stains on my Chintz, Harrington Street Art Center, Kolkata, India*

2009      Global Caribbean, Little Haiti Cultural Center, Miami, USA*

                Rockstone and Bootheel: Contemporary West Indian Art, Real Art Ways, Hartford, USA*

                  Being Elsewhere: Seven Artists from the Latin American and Caribbean Diaspora in
                  Canada, IDB Cultural Center, Washington, USA *

                Black Diaspora Visual Art Exhibition, National Art Gallery I C F, Public Library, Barbados*

                Fanshawe College Fine Art Faculty, St. Thomas-Elgin Public Art Center, St. Thomas, Ontario

2008      Atlantide Caraibe, Fondation Clement, Martinique*

2007      Infinite Island: Contemporary Caribbean Art, Brooklyn Museum, Brooklyn, New York, USA*

               International Print Triennial Vienna 2007, Künstlerhaus, Vienna, Austria

               New Prints/ Autumn 2007, International Print Center New York: Columbia College, Chicago, USA

               US Embassy Collection, US Embassy, Barbados*

                Art for Export, Zemicon Gallery, Barbados*

2006     Khoj Kolkata International Artists’ Workshop Exhibition, Chaudhuri Bari, Bariupur, India

               International Print Triennial Krakow 2006, Krakow, Poland*

               BIMPE IV, The Fourth Biennial International Miniature Print Exhibition, Vancouver, Canada*

2005     The Art of Caribbean Women, The Gallery at CLICO, Trinidad

               jOKe, ArtLab, University of Western Ontario, London, Ontario

2004      Caribbean Collection II, Chelsea Galleria, Miami, USA                            

                Fanshawe College Fine Art Faculty Exhibition, Thames Art Gallery, Chatham Cultural Centre,
                Chatham, Ontario, Canada

2002      Con/text: artists respond to writing, ArtLab, University of Western Ontario, London, Ontario

                  Service/Self/Storage, City Center Storage, London, Ontario

                  Keep Six, Kitchener, Ontario

2000      Women of the World, White Columns, New York, USA. Traveled USA and Europe, 2000-2005*

1999       Big River International Artists Workshop Exhibition, Museum of the City of Port-of- Spain,Trinidad*

                12 Norwegian International Print Triennale, Fredrikstad, Norway*

                  Art in Barbados: What Kind of Mirror Image?, Barbados Museum Gallery, Barbados

                Contemporary Barbadian Art (National Carivista Exhibition), Barbados Gallery of Art, Barbados

                  In the Skins of my Dreaming Womb of Journey, Performance, Grande Rivière, Trinidad

1998       12th International Bienal of Graphic Art of Latin America & the CaribbeanSan Juan, Puerto Rico*

                Mesotica III - Instalo-mesotica, Museum of Contemporary Art and Design, Costa Rica

                Sparks from Marks, The Art Foundry, Barbados

                Lips, Sticks, & Marks, The Art Foundry, Barbados; Museum of the City of Port-of-Spain, Trinidad*  

               Imagers 21, The Art Foundry, Barbados*

1997        2 International Print Triennale, Colour in Graphic Art, Torun, Poland*

                International Mini Print Bienal, Cadaques, Spain

                1st Latin American Printmaking Bienal, Nouveau Centro de Arte, The Dominican Republic*

               Metamorphosis: A Change of Heart, The Art Foundry, Barbados*

                National Submission to 1st Latin American Printmaking Bienal, DR Barbados Gallery of Art

                Contemporary Art from Barbados, The Gallery in Cork Street, London, England*

1995        21st International Biennial of Graphic Art, Ljubljana, Slovenia*

                 Contemporary Art from Barbados, Wake Visual Arts Gallery, Raleigh, North Carolina, USA*

                    CARIFESTA VI, Trinidad

1994         22nd International Biennial of Sao Paulo, Sao Paulo, Brazil*

                  Karibische Kunst Heute, Documenta-Halle and Halle K18, Kassel, Germany*

                  Contemporary Art from Barbados, Hurst Gallery, Cambridge, Massachusetts, U.S.A*


*Denotes catalogue/publication



SELECTED COLLECTIONS

KADIST Collection, Paris

Cortes Museum, Old San Juan, Puerto Rico

Tropenmuseum, Amsterdam, The Netherlands

Yale University Art Gallery, New Haven, USA

Yale Center for British Art, New Haven, USA

Douro Museum, Portugal

Victoria & Albert Museum, London, UK

Museo de Arte Contemporaneo de Puerto Rico, San Juan, Puerto Rico

US Embassies Collection, US Embassy, Bridgetown, Barbados

National Art Collection, Bridgetown, Barbados

Inter-American Development Bank (IDB) Art Collection, Washington DC, USA

Guangdong Museum of Art, Guangzhou, P. R. China

Ministry of Education Collection, Bridgetown, Barbados

Food and Agriculture Organization (FAO Caribbean Lounge), Rome, Italy

Queen’s University Archives, Queen’s University, Kingston, Ontario, Canada

CLICO Collection of Caribbean Art, Port-of-Spain, Trinidad

Fundacion de Arte Nouveau, Santo Domingo, Dominican Republic

Museo TEOR/eTica, San Jose, Costa Rica

Richard Goddard Collection, Barbados; Presented by HRH Prince Philip

KHOJ KOLKATA, Kolkata, India

Open Studio Archives, Toronto, Ontario, Canada

F.W.Mestre Collection of Caribbean Art, Miami, USA



AWARDS, GRANTS & SCHOLARSHIPS             

2018           Ontario Arts Council Exhibition Assistance grant

2016           Nominated for Queen Sonja Print Award 2016 (International Award), Norway

2013           Canada Council for the Arts Visual Arts Project Grant

2012           Second Prize, Open Studio National Printmaking Awards, Toronto

2011           Visual Arts Project commission for Small Axe Journal; Andy Warhol Foundation grant

2011           Grand Prize, 7th International Contemporary Printmaking Biennial, Trois-Rivieres, Quebec

2011           Ontario Arts Council Exhibition Assistance Grant

2010           Canada Council for the Arts Travel Grant (India)

2010           PUMA Creative Mobility Award 2010 (Miami, USA)

2010           Ontario Arts Council Exhibition Assistance Grant

2009           Ontario Arts Council Visual Artist Mid-career Grant

2006           Canada Council for the Arts Travel Grant (India)

2004           Canada Council for the Arts International Residency Grant, CCA7 Trinidad       

2003           Mary Routledge Fellowship (research travel award)

2001/02     University of Western Ontario Scholarship

1993           National First Prize (Barbados), First Ladies of the Americas                               

1985           Art Collection Foundation Purchase Award, Barbados; LIAT Award  



SELECTED RESIDENCIES

2016     Summer Visiting Artist Program – Resident Artist, NSCAD University, Halifax, NS, Canada

2015     Research Artist, Bermuda National Gallery

2013     Research Artist, Museum of London Docklands, UK

2005    Caribbean Contemporary Arts International Residency Trinidad; Research Artist, Police Museum, Port-of-Spain,                Trinidad

2002-03 Research Artist, Barbados Museum, Barbados



PUBLICATIONS

Guest Co-editor with Annalee Davis, Dr. Erica James, and Dr. Jerry Philogene, Special Section Art as Caribbean Feminist Practice, Small Axe: a Caribbean Journal of Criticism, Issue 52. New York: Duke U P 2017

Printopolis: Contemporary Printmaking Today, Jenn Law and Tara Cooper, eds, 2016

Creole Portraits III, ‘Twice Upon A Time: Magic, Alchemy and the Transubstantiation of the Senses’, Zetesis Vol. 2, No 01. Birmingham, UK: ARTicle Press, Centre for Fine Art Research 2015

Gary Spearin: Painting Beyond, Exhibition Review, Border Crossings, Issue 124, Winnipeg 2012

A Collection of Creole Portrait Heads of the Female Sex, Small Axe: a Caribbean Journal of Criticism. No. 37, New York: Indiana U P 2015

Joscelyn Gardner, Interview by Carlos Garrido Castellano, Special Issue Art Absolument Magazine,

Caribbean Art: Time for Recognition, France 2011

>copy >cut >paste >undo paste: Locating Caribbean Women Artists in the Diaspora. Art etc – Magazine, Kolkata, India: Emami Chisel Art Pvt. Ltd., 2010 (Vol. 2, No. 1); reprinted in 2014 in Theory and Art Criticism in the Caribbean, AICA Caraibe du Sud

Subverting Colonial Portraiture: a Memorial to the Women of Egypt Estate. Small Axe: a Caribbean Journal of Criticism, No. 26. New York: Indiana U P, 2008.

Subverting a Caribbean ‘Natural’ History. Visible Language 42.1, After the Grave: Language and Materiality in Contemporary Art. Rhode Island School of Design, USA, 82-85.2008

<bridgetown>whisperpostNational Art Gallery Committee (Barbados) CD catalogue and website (www.nagc.bb/whisperpost) Mapping a Caribbean City’s Pulse, 2008

A Response to Infinite Island, Art for Export catalogue. Barbados: National Art Gallery Committee, 2007

Patrick Mahon: Frozen Intervals. Three States brochure, Open Studio, Toronto, 2007

Joscelyn Gardner. Small Axe: a Caribbean Journal of Criticism 2007

Creole Portraits, Women and the Black Diaspora. Canadian Women Studies Journal, Toronto: York U P, Winter 2004 (Vol. 23, No. 2); images 2004

White Skin, Black Kin: “Speaking the Unspeakable”. Barbados: Barbados Museum & Historical Society, 2004

Whose Mirror Image? Small Axe: a Caribbean Journal of Criticism. No. 6. Jamaica: University of the West Indies P, 1999, 157-164               



BIBLIOGRAPHY

Guillermina De Ferrari, A Caribbean Hauntology: The Sensorial Art of Joscelyn Gardner and M. Nourbese Philip, Journal of Latin American Cultural Studies, DOI  2018        

Aldeide Delgado, Contemporary Afro-Latin American Voices: Old Conflicts, New Expressions, Contemporary And América Latina magazine 2018              

Magdalena Barbaruk, Nowy Region Swiata, in format-net. 2017

Olga Stanisławska, A New Region of the World, Catalogue Essay, Bunkier Sztuki Contemporary Art Gallery, Krakow, Poland 2017

Peree, Rob, Art at the Carifesta XIII in Barbados: supporting actor on a stage dedicated to entertainment, Africanah.org, Sept 5, 2017

Fontaine, Dominique, Joscelyn Gardner: Une histoire feministe de la Caraibe, in esse arts + opinions No. 90 – Feminisms, Portfolio, pp. 72-75, Montreal, Quebec 2017

Zuill, Charles, Mary Prince: in her own words (exhibition review), The Royal Gazette, Bermuda (online; December 9, 2016)

Uszerowicz, Monica, An Exhibition Examines How Plant Taxonomies Influenced World History, Artsy Editorial, Aug 31, 2016  

Coussonnet, Clelia, Art et Botanique, Diptyk n°32, février-mars 2016

Kennedy, Katherine, Remembering ‘your place’: A review of the 4th San Juan Poly/Graphic Triennial & parallel exhibitions, ARC Magazine (online; January 25, 2016)

Acevedo-Yates, Carla, Corporalities: Physical and Material Representation of Women’s Bodies, in Corporalidades Exhibition Catalogue, Fundacion Casa Cortes, San Juan, Puerto Rico 2015

Terdjman, Sandra, and Gregory Castera, The Manufacturing of Rights: Beirut: Chemaly & Chemaly, Lebanon 2015

Cottingham, Steven, Joscelyn Gardner at Alberta Printmakers, Akimbo - Akimblog Reviews 2014

Mandybura, Cadence, Flowers and Power: Artist seeks to insert portraits in colonial Caribbean history, Exhibition Review, Fast Forward Weekly, Calgary Nov 20, 2014                

Vermeulen, Heather, and Hazel Carby, Prospects of Empire: Slavery and Ecology in Eighteenth-century Atlantic Britain, Exhibition Catalogue Essay, Lewis Walpole Library, Yale University 2014

McDonald, Amy Athey, ‘A Bold Effort’: Illuminating images of slavery in the British Empire, Yale News, November 2, 2014

James, Erica, The Pleasure of Disorientation, Theory and Art Criticism in the Caribbean, AICA Caraibe du Sud online publication 2014

Brebion, Dominique, The Feminine Body in Caribbean Contemporary Art, Theory and Art Criticism In the Caribbean, AICA Caraibe du Sud online publication 2014

Heyvaert, Anne, Repeat and Unfold, in 22 PMR Exhibition Catalogue, Ferrol, Spain 2012

Fernandez Campa, Marta, Caribbean Art in Dialogue: Connecting Narratives in Wrestling with the Image, Anthurium: A Caribbean Studies Journal, Volume 9, Issue 1, Article 12, 2012

Rodgers, Margaret, Art Review: Not for the Faint Hearted, OshaWhat Magazine, January 25, 2012

Collado, Lilliana Ramos, Review of Caribes Globales (PDF in Spanish), in Arte, Estudios Culturales, Eventos, Museo de Art Contemporaneo de Puerto Rico, Jan 2012.

Simpson, Hyacinth M. Re-framing the Colonial Caribbean: Joscelyn Gardner’s White Skin, Black Kin: A Creole Conversation Piece, Postcolonial Studies Journal, Rutgers U P, USA 2012

Law, Jennifer, Knowledge is Made for Printing: Joscelyn Gardner’s Creole Portraits Series, in Bleeding & Breeding Exhibition Catalogue, Station Gallery, Whitby, Ontario 2012

Donnell, Alison, Contesting Thistlewood: Slavery, Agency, and the Limits of Representation, in Bleeding & Breeding Exhibition Catalogue, Station Gallery, Whitby, Ontario 2012

Cheddie, Janice, Ritual and Reciprocity within the work of Joscelyn Gardner, in Bleeding & Breeding Exhibition Catalogue, Station Gallery, Whitby, Ontario 2012

Cozier, Christopher, Work in Progress: Wrestling with the Image, in About Change Exhibition catalogue, The World Bank Art Program, USA 2011

Levy, Bernard, Le 7e Ciel de la Gravure, Vie des Arts 223 (summer issue), Montreal, Quebec 2011

Lanneville, Jo Ann, Expanding the Biennale at Trois Rivières, Contemporary Impressions: The Journal of the American Print Alliance, Volume 19, Number 1 2011

Lanneville, Jo Ann, 7e Biennale Internationale d’Estampe Contemporaine de Trois-Rivières: Penser, comprendre et transformer le monde, Art le Sabord 89, Trois-Rivières, Quebec, Canada 2011

Rumleski, Kathy, Londoner’s work wins world wide acclaim, in The London Free Press 2011

Tischler, Gary, Consequential Caribbean: Contemporary Artists Wash Away Sunny Stereotypes, Washington Diplomat, Volume 18, Number 3 2011

Davis, Annalee. Exposing Contemporary Art. Barbados Today. Barbados, February 16, 2011

Bailey, David, and Allison Thompson, A Shared Vision: Notes on Developing a Black Diaspora

Visual Arts Programme in Barbados, in Rockstone & Bootheel: Contemporary West Indian Art Exhibition catalogue, Hartford CT, USA: Real Art Ways 2011

Brebion, Dominique, Recovering the Lost Memory, Arte Sur Magazine, Venezuela, Volume 2 No 1 2010

Jiminez, Carlos, Bienal de Pontevedra – Cartografia de las disidencias artisticas Centroamerica y el Caribe, ArtNexus Art Magazine, # 78, USA, Sept-Nov 2010

Dagen, Philippe, Sete devoile la creation de jeunes artistes des Caraibes, Le Monde, Paris, France, August 20, 2010

Sharma, Dr. Vaishali, Colonial Tale Retold: Review of Stains on my Chintz, Art Concerns, India, April-May 2010

Das, Soumitra, There is a story behind every pattern, The Telegraph, Calcutta, India, March 20 2010

Das, Soumitra, Ghostly hands in the dark, The Telegraph, Calcutta, India, February 14, 2010

Surai, Oindrilla Maity, A Tale Within and Without, Art & Deal, Vol. 7, No. 2, Issue No. 32, Calcutta, India

Suarez de Jesus, Carlos, At the Little Haiti Cultural Center, a world-class exhibit focuses on the art of the Caribbean, Miami New Times, January 14, 2010

Rockstone and Bootheel multimedia e-magazine, Issue # 2, Real Art Ways, Hartford, CT 2010

Hoffman, Hank, Real Art Ways ‘Rockstone and Bootheel’ exhibition showcases richness of contemporary West Indian art scene, Connecticut Art Scene, February 10, 2010

Tischler, Gary, One Foot ‘Elsewhere’, The Washington Diplomat, Vol. 16, No. 10 2009

Hamilton, Sarah, Missionary Position, vueweekly.com, Edmonton 2009

Espezel, Mandy, and Jill Stanton, The Secret Diary of Thomas Thistlewood, Art Box, SEE Magazine, February 19, 2009

Menard-Greenidge, Denyse, Barbadiana 2008: Une Exposition de Gravure, Barbados: National Cultural Foundation, 2008

Bryant, Tisa. Spectral Evidence: Atavism, (Literary) Archeology and the Making of Black Texts. TN, November 2008

Esplund, Lance. The Underbelly of the Caribbean, The New York Sun, New York, 30 August 2007

Chris, Rea. Review of Infinite Island: Contemporary Caribbean Art. Percolator Magazine, Dec/Jan 2007

Mahon, Susan. WhisperPast-WhisperPost. Select Barbados Magazine. Barbados, August 2007

Goodman, Khalil. The Evil that is “Barbie’ Barbadian Women Artists. Barbados Advocate. 19 Feb. 2006

O’Callaghan, Evelyn. Views and Visions: Layered Landscapes in West Indian Migrant Narratives,Third World Quarterly 26, 3 (2005). 487-495

Allen-AgostiniLisa. Artist Explores White Skin Black Kin, Trinidad, The Trinidad Guardian, 25 June, 2005

Best, Gerard A. Uncovering the Slavery Triangle: a Feminist Perspective. Cover Story. Trinidad, Sunday Express 19 June 2005

Best Gerard A., Black and White Stories. Caribbean Beat Magazine,Trinidad, Sept/Oct 2005, Issue #75

Hahn, Stuart. Joscelyn Gardner: Plantation Poker “The Merkin Stories”, 2005

Mahon, Patrick. Not to Look Away, Braided Narratives brochure. Toronto: 2005

Netter, Sarah, L’Identite Creole selon Joscelyn Gardner. Antilla1128, Martinique, 2 Fev., 2005

Chapman-Andrews, Alison. Joscelyn Gardner. Artheme, Art Contemporain Caraibe, revue trimestrielle. No. 14. Martinique: Artheme, December 2004

Dear, Karin. White Skin, Black Kin: Joscelyn Gardner’s Art Speaks the Unspeakable. The NATION Newspaper, Barbados, 30 May, 2004

Hezekiah, Gabrielle. Of Whispers and Traces in Joscelyn Gardner’s “A Creole Conversation Piece”. White Skin, Black Kin catalogue. Barbados: The Barbados Museum, 2004 & 2005

Nelson, Charmaine. Black Hair / Her-Stories and Joscelyn Gardner’s Inverted Portraits, FUSE, Vol. 27, No. 3, Toronto: 2004

Sten, Lillian (AICA). Bondage and Bonding,The NATION Newspaper, Barbados, 14 March, 2004

O’Callaghan, Evelyn. At Home (at last) in the Island, 10-13 June, 2004

Cozier, Christopher, Locating Barbadian Art, Simply Barbados Magazine, Sassman Publishing, 1999

Hezekiah, Gabrielle. “Conceptualizing the Boundaries of Nation-Space: Some Thoughts on Art,

Criticism and the Creation of a Canon”. Small Axe: a Journal of Criticism. No. 6. Jamaica: University of the West Indies P, 1999, 79-93.

Hoffman, Anna. Joscelyn Gardner. Viva, Vol. 1. USA: TIME Wave Publishing, 1999.

Eligio, Antonio (Tonel), Sailing along the river and moving through the trees: notes recalling workshop, Trinidad: Caribbean Contemporary Arts, 1999

Branch, Linda Caribbean Women Artists, A Group of Seven.Panache Magazine, Montreal,Canada: Caribbean Communications Inc., 1998

Corbin, Dr. Hugh, Other Voices of Art, Sunday Advocate Life, Barbados, September 13, 1998

Cozier, Christopher, From the Inside Out, Lips, Sticks, and Marks catalogue, The Art Foundry, Barbados 1998

Deane, Linda, Yes, but what is art? Sun Shine. Barbados. September 6, 1998

Hadchity, Therese. Exhibition Overplayed, Sunday Advocate Life,  Barbados, October 11, 1998

Leacock, Jack. Is it art? (Leacock at Large), Sunday Advocate. Barbados, September13, 1998

Paul, Annie. Sacred Soliloquies, Caribbean Beat Magazine, Trinidad: Media & Editorial Projects Ltd., 1998

Paul, Annie. Meeting History with Art: ‘The Myriad of Myself’, Lips, Sticks, and Marks catalogue, The Art Foundry, Barbados, 1998. Reprinted in the online feminist journal, Paradoxa     

Pearce, Marsha. Mothers’ Tales: 7 Caribbean Women Exhibit Art at City Museum. Trinidad Guardian, Trinidad, November 18, 1998

Sandiford, Robert Edison. Investigating the Nature of Life: a Review of Metamorphosis: a Change of Heart. Sun Shine. Barbados, January 18, 1998.

Lewis, Colleen. Why is a Nice Girl Like You Painting Pictures Like That? Simply Barbados Magazine

Corbin, Dr. Hugh. The Artist as Art, The Barbados Saturday Advocate. Barbados, November 29 1997

Thompson, Allison. Arte en el Caribe de Habla inglesa: una Vision de Barbados, Exclusion,

Fragmentacion y Paraiso, Caribe Insular, exhibition catalogue, Spain: Museo Extremeno e

Iberoamericano de Arte Contemporaneo and Casa de America, 1997.

Thompson, Allison. Metamorphosis: a Change of Heart, exhibition catalogue. Barbados: The Art Foundry, 1997

Joscelyn Gardner. Currents. London, England: Institute of International Visual Arts, 1997

Hiles, Pamela. An Artist's Impression, Caribbean World Magazine, Winter Edit.,Albert Hall Magazines Ltd., 1996

Wells, Andrea. Joscelyn Gardner, 23rd Bienal Internacional Sao Paulo catalogue. Brazil: Fundacao Bienal de Sao Paulo, 1996

Davis, Annalee. Caribbean Art Reaches Germany, Sunday Life. Barbados, April 16, 1995

Twardy, Chuck. Hitting in Spots, The Raleigh News & Observer, North Carolina, 10 November, 1995

Laurent, Chantal. The Caribbean Lounge at F.A.O. in Rome, Italy: Caribbean Literature and Music Group, 1995.

Chapman-Andrews, Alison, A Woman's View Caribbean Week. Barbados, June 1994, Vol. 5 No. 18. 

Dumas, Sonja, Womanly Art Panache Magazine, Barbados: Caribbean Communications Inc., 994, Vol. 3, no. 2 1994

Thompson, Allison. Spirit of Woman: a Living Mythology. Spirit of Woman: Eye to the Soul catalogue. Barbados Museum, 1994

Thompson, Allison. Zeitgenossische Kunst in Barbados: Die Suche nach der eigenen Identitat, Karibische Kunst Heute catalogue. Germany: Projektgruppe Stoffwechsel, Universitat GHKassel. 1994  

Thompson, Allison. Contemporary Art in Barbados22nd International Biennial of Sao Paulo, catalogue Brazil: Fundacao Bienal de Sao Paulo, 1994
 


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